No Name, Just Us.

hunny-k:

This is the funniest way you could’ve put it

ghvstheart:

“pick up the spatula spongebob” is SENDING me 😭

(via toast-ranger-to-a-stranger)

amaditalks:

zweihanderblue:

memecucker:

If there is something that you cannot stand seeing in film or TV, then it’s your responsibility to learn about what you want to watch before you watch it. Media isn’t going to conform to your desires just because you try to make them seem like something other than just your desires.

Do your due diligence and stop being a tool of fascism, kids.

(via toast-ranger-to-a-stranger)

her-pegship:

iliadette:

bliss-bliss-bliss-bliss:

Fanfolks today need to remember how important The Premise was.

Y'all have heard of The Premise, right?

See, historically there have always been people who saw an extra layer of gayness on certain pairs of fictional people (you just thought of several), and people Back Then even wrote their own fanfic (or as they were called at the time, “pastiches”), but the first widespread queer fanwork to really define the fanfiction genre was KIRK AND SPOCK. Kirk/Spock. K/S. The very first slashfics.

Why this work was vastly, overwhelmingly written by straight women is a discussion for another time, but it was, so that’s the main perspective I’m gonna consider here.

How do you - a statistically middle-class, 30+, stay-at-home wife and mother - how do you write slashfic ao3-style in the 1960’s before the internet?

Carefully.

Through letters with friends, phone calls, pen pals, and sometimes - sometimes - clandestine meetings of small groups. Whole novels were written communally, round-robin style, by sending typed or handwritten additions chapter by chapter to each other. These were all underground, some deep underground; even the early Trekkie fanzines of the time wouldn’t touch them.

And keep in mind, few of these stories were explicitly even sexual! But they were all about a very, very close relationship between two men. In the 1960’s.

Guess how cool everyone else was about this.

Actually, for their part, Gene Rodenberry and the other writers were fine with it, saying that they had deliberately written the characters to be two halves of a whole, and if you wanna read it that way, yeah sure, go right ahead. Shatner and Nimoy took it all in good humor, and seemingly still do, each guy basically gesturing to the other and chuckling “I mean, who wouldn’t?”

But elsewhere there was vicious backlash against The Premise, and not just within the fandom. This was still at a time in the US and UK when various “sodomy” and “decency” laws made no distinction between homosexual sex acts and just, like, directly lighting another man’s cigarette with your cigarette in public. (That, sadly, is not a fucking joke.)

It was probably the closest some suburban cishet women came to understanding the pain of being in the closet. They had to protect this secret from their friends and family at all cost. There were cases of divorces where women lost custody of their children because their writing had come to light.

Can you imagine having such a burning desire to write for your OTP that you were willing to lose everything over it? Even if you were never caught, you still had to be willing to wait weeks, months, to receive a letter in the mail that you had to carefully intercept, read in secret, and then add your own chapter t, also in secret, and then send off, perhaps never to be seen again.

These people were goddamn heroes, and they laid the foundation for the world we live in today. A world where we can read, write, comment on, or share - in a matter of seconds! - literature about two background characters from two different franchises enjoying a really specific kink involving vacuums or something. And that’s objectively amazing.

Raise a toast to our fanfiction elders, who simped in the darkness so we could simp in the light of day.

This is important and should have more notes.

Originally posted by nervousspacerobot

(via nr-nyx)

artemisthehuntress:

viva-yas-vegas:

“But you already wrote that trope.”

(via nr-nyx)

stele3:

hyacinthsdiamonds:

Production houses: but if the writers stay on strike we can’t guarantee the future safety of your favorite shows 🥺🥺😭😭

Viewers who 1, have already lost their favorite shows because they were cancelled in spite of good ratings and good reviews or 2, have stopped watching new content entirely until the entire series has aired and concluded as a result of so many good shows getting cancelled on cliffhangers and thus leaving said viewers unable to gain closure with those characters and with a hollow viewing experience, so they’ve begun a, watching older shows they know came to a planned conclusion or b, revisiting their old favorites and enjoying the nostalgia or c, reading new books or fanfic instead: YOU ALREADY CAN’T GUARANTEE THE FUTURE OF OUR SHOWS SO GET FUCKING WRECKED AND PAY WRITERS WHAT THEY DESERVE!

Part of what the WGA is asking for is residuals prior to season 3. Netflix especially keeps canceling shows before they hit season 3 because they want to avoid paying residuals.

The WGA strike, if successful, will guarantee the future of shows. It will fix the problem. Production houses, if left to their own devices, won’t.

(via extasiswings)

fatsexybitch:

malerfique:

update  lost 20$ billion

(via extasiswings)